IZABELA PLUTA
support material: 10 images of past work/exhibitions
+61 413 259 330
email@izabelapluta.net
www.izabelapluta.net
@izabelapluta__studio
Izabela Pluta
Counter forces, 2021
latex-based inkjet-prints, repurposed timber, bronze, studio backdrop paper
Commissioned by Bundanon Art Museum for From impulse to action, curated by Sophie O’Brien (with Boe-Lin Bastian).
Artist assistant: Savanna Hopkinson. Joiner: Geordie Malone.
Photo: Zan Wimberley
Izabela Pluta
Use-wear (2022- )
8-channel video (detail, work in progress), commissioned by The Powerhouse Museum during my role as Artistic Associate.. Presented as part of Powerhouse Late’s: Photography, March 2023. Photo: Chris Mulia
Izabela Pluta
Twenty-four inversions, 2023, Unique C-type photographs, acrylic face mount, 29 x 40cm (each)
Installation view, Renditions. Project8 Melbourne. Curated by Sean Lowery and Kim Donaldson
Izabela Pluta
Apparent Distance (detail) 2019
dye-sublimation prints on fabric and photographic prints on aluminium
340 x 850 cm, 340 x 2059 cm (overall installation)
Commissioned by the Art Gallery of NSW for The National 2019: new Australian art, curated by Isobel Parker-Philip (AGNSW)
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Izabela Pluta
Image after image 1-4 2023
Unique C-type photographs, 100 x 150 cm each
installation view, Gallery Sally Dan-Cuthbert, Sydney
Photo: Simon Hewson
Izabela Pluta
Ascending air, unfolding motion, 2022
Latex-based ink-jet prints mounted on aluminium and repurposed timber easels
Joiner: Geordie Malone.
Ascending air, unfolding motion was created through the commissioning support of The Lock-Up, Newcastle, Australia as part of Radical Slowness, curated by Anna May Kirk and Tai Mitsuji.
Photo: Ben Adams
Izabela Pluta
Variable depth, shallow water (detail) 2020
silver gelatin photographs, pigment prints on aluminium, dye-sublimation prints, polyester waddling straps, two-way acrylic, aluminium, polyester resin, 600 x 200 x 150 cm. Installation view, UNSW Galleries for the solo exhibition Nihilartikel, curated by José Da Silva.
Sydney. Photo: Jacqui Manning
Lines of sight 2020
3 channel digital video with sound, polyester waddling straps, two-way acrylic, aluminium, 06:25 minutes (loop)
Editing: Vera Houng Productions; Sound Design: Ant Bannister and Tobias Gilbert; Filmed in Gozo, Malta with the assistance of Dive Smart Gozo and in Peppimenarti, Australia with the permission of the Ngan’gikurunggurr people
installation view, Spazju Kreattiv, St James Cavalier, Valletta. Curators: Nicole Bearman and Francesca Mangion
Izabela Pluta
Blue spectrum and descent 2020
Cyanotypes on watercolour paper
156 x 672 cm (overall Installation)
photo: Jacqui Manning
Izabela Pluta
Cavitation 2018
three-channel video with audio, duration 9:06 min
installation view, Geography of Space, Archaeology of Time , Australian Centre for Photography, Sydney, curated by Allison Holland.
The process by which the depth of the sea is defined 2018
dye-sublimation print on acoustic fabric
Photo: Michael Waite